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  • Cris Douaire | EAI

    < Back Cris Douaire MAP Judge Coming Soon!

  • Master Artisan Program Application | EAI

    Master Artisan Pathway "MAP" Application for those 18 years and older. Master Artisan Pathway "MAP" ENTRY FORM The MAP will be closed from December 1, 2025 to January 3, 2026 Please Note the Following: * You may submit only 2 entries in a 30 day time period * Our policy is to have the results back to you within 29 days from the date of a complete application. We reserve the right to extend this time for unforeseen circumstances. Please do not email us regarding your results until 30 days have lapsed. * Failure to thoroughly read all MAP information may result in entry denial or lower scores . MAP Entry Form- For Members Ages 18 and older. *Please make sure you are a MEMBER before to avoid entry rejection. If not go to https://www.eggartinternational.org/membership-contact First name Last name Email What type of Egg? Height of egg art Width of egg art Date the entry was completed Select a Category- ONE CHOICE ONLY * Acid Etching Applied Wax Art Batik Artist's Choice Beaded or Jeweled Carving Diorama Decoupage Hand Painted Intricately Cut Mechanical Miniature Mixed Media Novelty Paper Sculpture Pysanky- Diaspora Pysanky- Folk Scratch Carving REQUIRED for Pysanky- Diaspora Describe Your Egg : Techniques Used, Special Features, Symbols, etc. to improve your scores in each category. All figurines, props etc., must be disclosed if they are the artist's work or commercial . NOTE: Diaspora Pysanky must include a full description of the symbols. Photo Submission Area Please read the photo requirements carefully so as to not have your form rejected. Submit the JPEG images as specified: You are required to submit a minimum of 6 photos as outlined below. If the egg opens, an image of the inside must be added and labelled ‘inside’. If the egg has mechanical movement, a video no longer than 10 seconds in length will be required. TOTAL MB allowed per application is 25MB. a. Name the images as follows: Front, Back, Left Side, Right Side, Top and Bottom. b. Photos must not be labelled with a name or show a name. c. The background must be plain white or plain black without glare. d. Take the pictures at eye level for the front, back and sides. Required Upload Front of Egg Photo Required Upload Right Side of Egg Photo Optional View Upload One Other View Required Upload Back of Egg Photo Required Upload Top of Egg Photo Optional View #2 Upload One Other View Required Upload Left Side of Egg Photo Required Upload Bottom of Egg Photo Video- MECHANICAL OR LIGHTED ONLY Upload 10 second or less Video Upload supported file (Max 15MB) PYSANKY - FOLK AND PYSANKY- DIASPORA ONLY Upload copy of original symbols or folk pysanky egg you are replicating Important to Note: All fields marked with an asterisk * are required for the application to be accepted. Make sure to check for completeness. If you have problems or questions, please contact us. Make sure to wait until you see "Your application has been received. Thank you." before leaving the screen as you will lose your information. Upload times vary. Watch for an email for further instructions and information. By submitting this application, you confirm that all the work was carried out by you personally and that the egg is your original design. You also agree to allow EAI to use submitted photos for the website, EAI social media sites and any publications. You may opt out of having your name published with the photos by checking the box below. I give EAI permission to use my name on the website and it's social media sites. * Required Yes No Submit Application Your application has been received. Thank you.

  • Jeann Howse | EAI

    < Back Jeann Howse MAP Judge Hello! I am a former president of the IEAG, I am fully supportive of the new Egg Art International organization. I hope my many years of experience will help all the team members continue to grow EAI.I began egging about 1983.I served as IEAG president in 1985-1987 at the beginning of the Masters Program and I travelled to the various shows to promote the Masters Program. I enjoy attending egg shows I am also the past preident of the Texas Egg Art Guild and the Houston Egg Art Guild.

  • Konomi Kashiwaya | EAI

    < Back Konomi Kashiwaya EAI Representative for Japan, MAP Judge Because of my 40 years of bread dough flower making, I especially love to make dioramas out of bread dough, creating plants, animals, and fairies. I also love beads, thread, decoupage, painting and cutting. I participated in egg shows in the US every year for 20 years. I have also exhibited eggs in Paris, Australia and Russia. I have been participating in the Japanese Egg Art Guild since the first year it was established, and it has been a little over 20 years now. I exhibit with my students at the Japan Egg Art Guild Show every year. I also have private exhibitions several times a year. I recently published a book about my egg art works.

  • John Drlik-Mead, USA

    Bronze Award < Back John Drlik-Mead, USA July 22, 2024 Bronze Award CATEGORY: Artist's Choice PATHWAY: NA TYPE OF EGGS: Ostrich "Sacred Madonna” This is an original and completed design. I used multiple advanced techniques in creating this elegant and stunning piece. Flip the back toggle switch, the custom designed / made lighted crystal chandelier illuminates (with numerous flat back crystals, and hand cut drop crystals), and the music box plays "Wind Beneath My Wings. Special care and technique was used to “bury” the interior flat wiring (behind the Gold Leaf), from the base to the chandelier. The egg was first completely sanded to a uniform smooth surface (removing the outer egg enamel layer and texture). There are two intricately carved crosshatch windows (the crosshatch “bars” are part of the eggshell). The interior was layered with 24k Antiqued Gold Leaf (to mimic an aged gold ceiling). A combined 12 coat process, using a professional Auto-enamel pearlescent coating and clear coat was used on the exterior of the egg. All crystals are Swarovski Crystals. Findings, base & stand, top are all gold plated. The Porcelain figurine is hand painted and permanently mounted to the piece. Previous Next

  • Karen Hanlon, M.S. | EAI

    < Back Karen Hanlon, M.S. EAI Representative for Canada, MAP Judge Karen Hanlon has been an egg artist and teacher for over 30 years. Besides traditional pysanky and batik eggs, her works include a variety of other styles. She is best known for her Bucovinian raised wax and "cross stitch" eggs, dyed and etched brown eggs, and "stained glass" eggs. She lives in Barry's Bay, Ontario, where she teaches at a small college, including a credit course in pysanky.

  • Hajnalka Aszalos | EAI

    < Back Hajnalka Aszalos EAI Representative for Hungary, MAP Judge I am Hajnalka Aszalós from Hungary. My mother learned porcelain painting from the best masters in Herend. I grew up in Szeged, and with my mother, who was also my Master, I got to know several areas of art and applied arts. It was here that I learned all the little tricks of this craft and the love of it. Over time, I started to work in several art forms: glass painting, oil paintings, graphics, wall painting, and then I started making lamps from thieves... Also, egg painting became a great love of mine over the years. The main stylistic direction in which I create is the Art Nouveau style, but I have also processed several Hungarian folk art motifs in my works. Now I live in Pásztó with my partner, and together with him we have created my own little workshop here, where I give a glimpse into the secrets of the workshop, as well as provide opportunities in several areas for visitors to make and create something beautiful with their own hands. We are currently working on my exhibition hall, which will hopefully be completed this year and will also be open to visitors.

  • Fran Higgins | EAI

    < Back Fran Higgins MAP Director Hi! I am the current president of the Houston Egg Art Guild and will be one of the stewards of the Master Artisan Pathway "MAP". My goal is to make sure the entries and judging are coordinated properly, fairly, ethically and with the upmost respect for these artists.

  • Ostrich Egg Lamp

    175.00 < Back Ostrich Egg Lamp Leslie Lisdell Artist: Pretty ostrich light. Genuine mother of pearl and abalone accents. Vintage opal glass and crystal trim. Click on pictures below to see enlarged photos. Price includes free shipping in the USA and Canada. Credit cards and PayPal accepted thru the Egg Art International Store . All proceeds from the sale are donated to Egg Art International. Type of Egg Ostrich Approx. Dimensions Location Arkansas, USA International Shipping ? no eggartinternational@gmail.com Email:

  • Tetiana Medianyk

    Bronze Award < Back Tetiana Medianyk February 12, 2025 Bronze Award CATEGORY: Carved PATHWAY: NA TYPE OF EGGS: Ostrich To create the design I use carving, a special drill with different attachments for cutting and finally for polishing. The egg is placed on a stand with a LED lamp, multi-color with a remote control. This egg depicts Pegasus - a symbol of confidence, steadfastness and stateliness. The winged horse of the gods, which Zeus turned into a constellation after his death and we still see it flying across the sky. As a lamp, such an egg will complement the interior of any room, both a child's room and an adult bedroom, and can be a stylish addition to a business office. Previous Next

  • Isabelle Franconie | EAI

    < Back Isabelle Franconie EAI Representative for France I've always been very hands-on, a DIY enthusiast, a jack-of-all-trades. I've always been fascinated by eggs, their shape, their material, their colors. A little water and warmth, and new life appears... When I was little, at Easter, my mother would boil chicken eggs and have me decorate and paint them. And then I forgot about school, work, time passed... In my life, I've had the opportunity to raise chickens, ducks, geese, and therefore to have many eggs at my disposal... and also many unhatched eggs... and memories resurfaced, memories of the possibility of using these eggs in other ways... The idea took root, a long, slow learning curve from scratch, images Gleaned from the internet, numerous attempts, and a lot of breaking too, first with goose eggs, which were easier to find and thinner, and then gradually moved on to ostrich eggs, which were larger, had a beautiful surface to work with, were beautiful materials, and had a beautiful color. And as for ostrich egg carving, my passion is above all sculpture, sculpting this shape, this material. And photos of me and my work. I hope this will be of interest to you. I'm not an expert, just an amateur who loves eggs and egg work and who continues to learn every day and marvel at the work of others, which is so much more beautiful than my own. I hope I can help you promote and discover egg carving in France. But people have forgotten, there isn't a large audience. I nevertheless suggest doing everything I can to help you discover it. Isabelle

  • Name Private

    Gold Award < Back Name Private December 1, 2023 Gold Award CATEGORY: Novelty PATHWAY: Accelerated TYPE OF EGGS: Emu,Quail,Goose “Bear in the Woods” 1. Bear. This is made from three types of eggs. Ears were carved and cut from an emu egg, head is a quail egg and the body is an unknown small egg. The head, body and ears were glued together with sculpy glue. Sculpy was added to the head and trunk to make the snout, belly, and back. This was baked at 275 degrees for 20 minutes. The arms and legs were made from wire wrapped with sculpy and attached. A layer of modeling paste was added to the bear and a high-speed drill was used to make the appearance of hair. The next step was a wash with dark brown on the body and a black wash around the eyes and nose. Different browns were also added to the bear’s coat. The final coat on the bear was a mixture of Pebeo lightening medium, a small amount of vitrail brown paint, and Jaquard antique gold bronze powder. Eyes were added and the bear was highlighted with 6 ss crystal smoked topaz and 5ss mocha flatbacks. 2. Bee hive. The quail egg was wrapped with 1mm pearl leather cording, washed with dark brown and coated with the above Pebeo mix. Yellow vitrail was used to make the honey dripping on the outside. 3. Stump. The mid-section from a goose egg was cutout. The top of the stump was a piece of cardboard glued in. Modeling paste was applied all over. The bark markings were made using a highspeed drill as well as the rings on top of the stump. Different brown/black washes were used to color the bark and top of the stump. The Peboe mixture as above was applied to the stump. 4. Various grasses, moss, weeds, and my cold porcelain flowers adorned the scene. The butterfly and bird were little things I did not make but thought they added a little color. Previous Next

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