< Back Theresa Ashmore MAP Judge- Retired

Silver Award < Back Morgan Tunow July 29, 2026 Silver Award CATEGORY: Pysanky/Diaspora PATHWAY: NA TYPE OF EGGS: Brown Chicken egg This avtorsky pysanka was written for artist Brianna LaPlante of Fishing Lake First Nation in Saskatchewan (Treaty 4), whose work and collaboration with Ukrainian newcomer Andrian Makhnachov deeply moved and inspired me. Together, they created a kokum scarf design - a floral scarf tradition deeply connected to Métis and Indigenous prairie communities. Floral scarves became established on the Canadian prairie through Ukrainian and other Eastern European settlement and, through trade, friendship, and cultural exchange, came to be embraced by many Indigenous communities as enduring symbols of grandmothers, resilience, and cultural continuity. Canada’s prairie provinces have been home to one of the world’s largest Ukrainian diaspora communities since the late nineteenth century. Brianna and Andrian’s collaboration reflects a relationship that continues to evolve today, celebrating both Indigenous and Ukrainian cultures through prairie florals while acknowledging a shared prairie history. Brianna’s scarf design incorporates flowers connected to Treaty 4 territory, while in this pysanka I chose flowers from Treaty 7, where I live in southern Alberta. Many of these flowers also exist and hold symbolic meaning within Ukrainian pysanky and folk traditions, creating another point of connection across cultures, landscapes, and generations. To me, this egg reflects the relationships between First Nations communities and generations of Ukrainian settlers, their descendants, and today’s newcomers on the Canadian prairies. Over more than a century, Ukrainians arrived on the Canadian prairies in successive waves, each carrying histories shaped by empire, famine, war, displacement, and perseverance. Throughout that same history, Indigenous peoples here continued to endure the ongoing realities of colonialism and dispossession. Despite these difficult histories, there were also moments of exchange, neighborliness, shared knowledge, and mutual influence that became woven into prairie life. In this pysanka, I wanted to honour that spirit of connection through prairie flowers, sunflowers, movement, and traditional symbolism, reflecting the idea of cultures, stories, and relationships continuing to grow alongside one another across generations. FLOWERS Sunflower The sunflower is one of the central symbols in this pysanka, representing warmth, life, resilience, and continuity. In Ukrainian tradition, sunflowers are strongly associated with the sun itself, abundance, and protection, while on the Canadian prairies they have also become a symbol of Ukrainian identity, migration, and endurance. Here, they also reflect the shared prairie landscape connecting Treaty 4 and Treaty 7 territories. Wild Rose Wild roses appear throughout the design as symbols of love, vitality, and relationships. As Alberta’s provincial flower, they connect this egg specifically to Treaty 7 territory and the prairie landscape where I live. Roses and flowering motifs are also deeply rooted within Ukrainian pysanky and folk embroidery traditions, where they often represent beauty, renewal, and the feminine principle. Rose Hips Rose hips symbolize protection, healing, endurance, and nourishment. In both prairie and Ukrainian traditions, they carry associations with survival through difficult seasons and the ability to sustain life and community. Crocus The crocus, one of the first flowers to emerge after winter on the prairies, represents renewal, hope, and resilience. It reflects survival after hardship and the return of life following darkness or dormancy. Its appearance in this pysanka also speaks to cultural continuity across generations. Sage represents cleansing, wisdom, grounding, and spiritual protection. Across many cultures and traditions, including Indigenous traditions of the prairies, sage carries deep spiritual significance connected to healing and purification. Within this pysanka, it symbolizes respect, reflection, and the importance of approaching cultural exchange with care and sincerity. Yarrow is associated with healing, protection, interconnectedness, and the strengthening of community bonds. Traditionally used medicinally across many cultures, it reflects the idea of knowledge passed between generations and the sustaining relationships formed through shared experience and care. Blanket Flower Blanket flowers symbolize endurance, adaptability, warmth, and the ability to thrive in harsh environments. Their bright, sun-like appearance reinforces themes of resilience, survival, and beauty rooted within the prairie landscape. Traditional Symbols * 8-part division: Balance, harmony, order, and the cyclical nature of life. * Rozha (ruszha): Ancient sun symbol representing life, growth, beauty, harmony, and spiritual light. * Hidden sun/spider motif: Life, warmth, creativity, protection, patience, and artistry. * Eternity bands: Eternity, continuity, and the unbroken passage of generations. * Bezkonechnyk (meander / waves): Water, movement, journeys, protection, and the ongoing flow of life. The endless line symbolizes continuity and is traditionally associated with pathways so winding that evil cannot find its way from them. * Sieve pattern: Protection and the separation of good from harmful forces. * Dots: Seeds, stars, blessings, abundance, and life-giving energy. Traditional Colors * Red / orange: Joy, vitality, passion, strength, and love. * Yellow /gold: The sun, warmth, harvest, prosperity, and light. * Black: Eternity, endurance, remembrance, and connection to the spiritual world. * White: Purity, light, innocence, and spiritual clarity. * Green: Spring, renewal, growth, hope, and new life. * Brown: Earth, stability, humility, and connection to the land. Contemporary Colours * Blue: Sky, water, spirituality, health, calm, and emotional depth. * Turquoise / teal: Healing, openness, connection, and balance. * Purple / violet: Spirituality, wisdom, mystery, and transformation. * Pink: Affection, tenderness, friendship, and care. Method Written with kistky and beeswax, then dyed and selectively acid etched. Previous Next

< Back Ingrid Wiese EAI Representative for Germany In 1995, in connection with my company, I founded the Thükop e.V. association (cooperation partner for the development of network structures in rural Thuringia). Here we took in people who for some reason needed help. With our projects we gave a task and promoted the self-confidence of the members. Our main project is the “Osterpfad – Vogtland” project. Together with 10 other places from our Vogtland, we designed Easter decorations and exhibitions that began a week before Easter and ended a week after Easter. In 2010, the name "Osterpfad - Vogtland" was decided with all member places from our region "Vogtland" and the cultivation of Easter customs intensified. The organization office of the Easter Path is in Berga/Elster, the main location of the Easter Path - Vogtland. At 6 exhibition locations in our small town you can admire many themes in the Easter garden of our association, in the local museum, in the church, in the park in front of the town hall, the decorated town hall and a large Easter exhibition in the clubhouse. The most beautiful hand-painted natural eggs from all of the locations on the Easter trail, and in particular the Christian Easter story, are presented. A bazaar including Easter café and cultural program with the clubs of our city delight many visitors every year. A total of around 50,000 hand-painted natural and artificial eggs can be admired in our city. For 2 years we have been offering small courses with music and café in our show workshop for children, adults and disabled people. We have a small music group in the club. The member locations of the Osterpfad – Vogtland meet twice a year to clarify the content of their exhibitions and organizational issues. The special features of the member locations are integrated into the respective locations. Our program is shown on our website www.osterpfad-vogtland.de , as well as a video showing all the Easter Path locations. We will soon start an advertising campaign with our book "Easter Path - Vogtland - Spring Awakening in the Beautiful Vogtland". We are happy to answer questions and registrations via our mail: info@osterpfad-vogtland.de

Congratulations to our winners as well as everyone who participated. This month was "Beaded Eggs" that were highlighted. It is important to EAI that all styles are promoted so that everyone around the world can see and maybe even try something new and different.