16 categories of eggshell art assessment is outlined for the Master Artisan Pathway "MAP". Master Artisan Pathway- "MAP" Kategorie i wytyczne „MAP” MAP Categories and Guidelines GENERAL GUIDELINES Only original designs using real eggshells will be considered for assessment. Any size of eggshell, unless otherwise stated can be used. Designs using more than one egg, for example two eggs forming a heart shape, can be entered for assessment. Judges will score the following categories : Creativity and Originality - Only original designs allowed. Composition and Design - Use of the Principles and Elements of Design (Line, composition, space, movement, balance, emphasis, pattern, unity, color, contrast, rhythm, texture, value, form) Technique Craftsmanship and Presentation Degree of Difficulty Overall Impression CATEGORY GUIDELINES Where one or more techniques are used, please select the category which applies to the main technique. If you are unsure, you can ask for assistance by contacting us. Click on the photos to see a larger picture. ACID ETCHING A design where acid is used to remove areas of the shell to create a design. The overall design and technique execution will be assessed, and the level of difficulty will be taken into account. (Eggs, such as an emu, where different color layers exist will require more careful attention to detail). APPLIED WAX A design where wax is applied as part of the design and left in situ as part of the decorative technique, such as Madeira work, cross-stitch style etc. The even application of the wax to the egg will be considered, along with the complexity of the design. The judges will be looking for a mix of technique to include ‘drop-pull’. Additional cut work will add to the level of complexity. ART BATIK A design which uses the basic techniques of waxing and dyeing, without using traditional Pysanky motifs. This style of work is decorative and is not constrained by tradition. ARTIST’S CHOICE Let your creativity run riot with this category - any style, any combination of technique or use of material. The usual criteria of good workmanship will be assessed. BEADED or JEWELED A design where the main focus of the work involves the application of beading or jewels. Attention should be paid to the careful placement of beads, smoothness of the finish and uniformity of any pattern, such as a basket-weave. Other techniques can be incorporated. CARVED The shell should be carved into to create relief work, using a technique which involves deeper scoring of the shell than the scratch carving category. Attention should be paid to creating clean, smooth cuts. The carving should be well-balanced, and other techniques can be incorporated into the design. DÉCOUPAGE Attention will be paid to the accuracy of cutting the paper print (decals are not permitted) and the surface finish of the egg after the print has been buried. The surface should be perfectly smooth, free from blemish and should not have any unwanted particles embedded in the finish. This category is one where the egg has to be judged ‘in person’. DIORAMA The main focus of the design will be a scene that is created within the egg; however, this can also extend around the egg. The level of detail included will be assessed, however the exterior of the egg will also be looked at in detail. Any items made by the artist should be mentioned as this will be of benefit in the assessment. The usual criteria of a well-balanced and tasteful design will also apply. HAND PAINTED or DRAWN The design must be original and can be in any style; however, the complexity of the work will be given additional credit, and it is expected that the submission will show proportion, balance, and if appropriate, shadow, depth and good use of color to create an overall pleasing piece of work. INTRICATELY CUT Intricate cut work is the main focus of the work involved. The level of difficulty in terms of working with thinner shells will be taken into account, as well as the neatness of the cutting, the removal of membrane and the general balance and design of the work presented. MECHANICAL A design which incorporates movement within the design. The mechanisms used could be battery powered, using pulleys etc., but must operate smoothly. The judges may request a short video of the egg in action to determine the level of movement involved. Unless creating movement in addition to music, musical boxes do not fall into this category. The overall design, innovation and technical expertise will be assessed and taken into account when judging. MINIATURE A category where any style of work is acceptable, however the entire design (including the stand and any added items) should fit within a box 3" x 3" x 3" (7.5 x 7.5 x 7.5cm). Work will be assessed with the usual criteria of execution of techniques used, neatness of workmanship. Complexity of design and skills used will also be taken into consideration. MIXED or OTHER MEDIA Lots of scope for creativity in this category where a distinct additional style of work is added to the egg, such as polymer clay work, popotillo, quilling, scrimshaw and other paper crafting techniques (such as paper constructions/origami). This should not include work that falls readily into other categories such as paper sculpture work. Attention will be paid to the execution of the different techniques displayed with both being of an acceptable standard. Ingenuity will be a factor in the judging as well as the general standards of workmanship. NOVELTY A design which displays an unusual and novel concept. Examples could include a tea service, method of transport (car, boat etc.), wearable egg art. Attention will be paid to the unusual concept displayed in the entry as well as the general execution of workmanship and complexity of technique. PAPER SCULPTURE Paper Toile and Bas Relief fall within this category. Both methods of work include the accurate cutting of paper prints which are then built up into a 3-dimensional finish. The raised paperwork should be firm to the touch. The finished work should exhibit neat cutwork, and the design can be raised against the shell with the edges all touching the egg or, alternatively, certain areas can be raised permanently. Suitability of the paper print and originality of its application to the egg as well as the accurate execution of the technique will be taken into account. PYSANKY-DIASPORA This category allows the artist to combine traditional motifs (we require the artist to provide an explanation/meaning behind the symbols) with a free interpretation to create an original design using the wax and dyeing techniques. SCRATCH CARVING A design where the egg is dyed using either a natural or chemical dye and the surface ONLY of the shell is manually scratched to create shading, texture and a pleasing design. We wish to thank the artists who participated in "Egg of the Month", Master Artisan Pathway and the IEAG Master Program whose egg art is shown. These are all considered fine examples of the styles shown.

< Back Karin Whiting EAI Representative for New Zealand I have been an egg artist for around 20 plus years now. I enjoy coming up with my own designs and bringing ideas in my head to life through my eggs. I love helping people with ideas and things I have found invaluable along the way. I have a group in Hastings, New Zealand !

350.00 < Back Ostrich Egg Box Leslie Lisdell Artist: OOAK ostrich egg box with a faux malachite finish inside and out. It is made from an ostrich egg and button quail egg. The egg is adorned with numerous vintage crystal cabochons and Swarovski crystals. The inside is a platform with black satin and black netting. In the center is an oval “flawed” emerald cabochon surrounded by black diamond chain, square gold chain and leaves in keeping with the same theme and materials. The proceeds from this sale are donated to Egg Art International. You may purchase this item thru the Egg Art International store page which accepts credit cards and PayPal. Type of Egg Ostrich and Button Quail Approx. Dimensions Location Arkansas, USA International Shipping ? No eggartinternational@gmail.com Email:

Gold Award < Back Anita Walter March 23, 2026 Gold Award CATEGORY: Hand Painted PATHWAY: NA TYPE OF EGGS: Ostrich Description of the Egg: This egg is a meticulously hand-painted work executed on an ostrich eggshell. Encircling the egg are several scenes depicting an African savanna landscape, which together form a cohesive portrayal of an elephant herd in its natural habitat. The painting is executed in a realistic style, utilizing the warm, natural tone of the eggshell as a harmonious background for the landscape and the animals. Techniques: The imagery was painted entirely by hand using acrylic paints and fine brushes. The colors were applied in multiple thin layers to create soft transitions, depth, and realistic textures. Fine details and shading were meticulously rendered, particularly in the areas depicting the elephants' skin, the vegetation, and the landscape. At the top and bottom, the artwork is framed by hand-painted black geometric borders. These symmetrical patterns lend a clear structure to the motif and accentuate the egg's spherical form. Main Motif – The Bull Elephant: The central motif on the front of the egg depicts a powerful African elephant—specifically a bull—advancing directly toward the viewer. Its widely splayed ears, robust physique, and curving tusks underscore its strength and commanding presence. With its trunk, it pushes aside dry branches, thereby infusing the scene with a sense of movement and dynamism. This portrayal emphasizes the animal's power, determination, and dignity. The background, rendered in warm golden and ochre hues, conveys the heat and vastness of the African savanna. Additional Scenes and Features: The side views reveal other members of the elephant herd—including both adult animals and calves—moving amidst acacia trees within the savanna landscape. They are accompanied by white egrets, birds frequently found in close proximity to large animals, which serve as a symbolic representation of the coexistence of different species. These scenes complement the central motif of the bull, offering a glimpse into the social life of the elephants. The black-and-white borders at the top and bottom frame the savanna scenes and guide the eye harmoniously around the entire egg. Previous Next

Bronze Award < Back Page Davies October 30, 2023 Bronze Award CATEGORY: Acid Etching PATHWAY: Traditional TYPE OF EGGS: Emu This Emu egg was inspired by my love of sea life and turtles. On the front is a hawksbill turtle. On the back is an octopus, sand dollars, coral and angel fish all free hand drawn. The band is also a freehand rolling wave. The egg was waxed, then acid etched in a 30% muriatic acid solution. This was done outside with safety goggles, mask and gloves. The egg was etched back progresseively in 5 minute intervals to reveal lighter shades of green and ultimately getting down to the white layer. Yellow accent dye was applied on the fish and red on the coral. The base keeping with the sea life theme is fossilized coral and a brittle sea star (all found by me). I entered this in acid etch category as it is more etched than traditional pysanky. Previous Next

Master Artisan Pathway "MAP" Application for those 18 years and older. Master Artisan Pathway "MAP" ENTRY FORM Please Note the Following: * You may submit only 1 entry in a 30-day time period * Our policy is to have the results back to you within 29 days from the date of a complete application. We reserve the right to extend this time for unforeseen circumstances. Please do not email us regarding your results until 30 days have lapsed. * Failure to thoroughly read all MAP information may result in entry denial or lower scores . MAP Entry Form- For Members Ages 18 and older. *Please make sure you are a MEMBER before to avoid entry rejection. If not go to https://www.eggartinternational.org/membership-contact First name Last name Email What type of Egg? Height of egg art Width of egg art Date the entry was completed Select a Category- ONE CHOICE ONLY * Acid Etching Applied Wax Art Batik Artist's Choice Beaded or Jeweled Carving Diorama Decoupage Hand Painted Intricately Cut Mechanical Miniature Mixed Media Novelty Paper Sculpture Pysanky- Diaspora Pysanky- Folk Scratch Carving REQUIRED for Pysanky- Diaspora Describe Your Egg : Techniques Used, Special Features, Symbols, etc. to improve your scores in each category. All figurines, props etc., must be disclosed if they are the artist's work or commercial . NOTE: Diaspora Pysanky must include a full description of the symbols. Photo Submission Area Please read the photo requirements carefully so as to not have your form rejected. Submit the JPEG images as specified: You are required to submit a minimum of 6 photos as outlined below. If the egg opens, an image of the inside must be added and labelled ‘inside’. If the egg has mechanical movement, a video no longer than 10 seconds in length will be required. TOTAL MB allowed per application is 25MB. a. Name the images as follows: Front, Back, Left Side, Right Side, Top and Bottom. b. Photos must not be labelled with a name or show a name. c. The background must be plain white or plain black without glare. d. Take the pictures at eye level for the front, back and sides. Required Upload Front of Egg Photo Required Upload Right Side of Egg Photo Optional View Upload One Other View Required Upload Back of Egg Photo Required Upload Top of Egg Photo Optional View #2 Upload One Other View Required Upload Left Side of Egg Photo Required Upload Bottom of Egg Photo Video- MECHANICAL OR LIGHTED ONLY Upload 10 second or less Video Upload supported file (Max 15MB) PYSANKY - FOLK AND PYSANKY- DIASPORA ONLY Upload copy of original symbols or folk pysanky egg you are replicating Important to Note: All fields marked with an asterisk * are required for the application to be accepted. Make sure to check for completeness. If you have problems or questions, please contact us. Make sure to wait until you see "Your application has been received. Thank you." before leaving the screen as you will lose your information. Upload times vary. Watch for an email for further instructions and information. By submitting this application, you confirm that all the work was carried out by you personally and that the egg is your original design. You also agree to allow EAI to use submitted photos for the website, EAI social media sites and any publications. You may opt out of having your name published with the photos by checking the box below. I give EAI permission to use my name on the website and it's social media sites. * Required Yes No Submit Application Your application has been received. Thank you.

Gallery of Master Artisan Pathway (MAP) Award Recipients Click on the picture to view more information and pictures. This is a great learning tool for those interested in submitting an egg to the Master Artisan Pathway. 2026 Gold Award in Hand Painted by Anita Walter 2026 Silver Award in Artist's Choice by Brigitte Noel le Hesran 2025 Silver Award in Mixed Media by Anita Walter 2025 Bronze Award in Mixed Media by Anita Walter 2025 Bronze Award in Miniature by Leslie Lisdell M.D. 2025 Bronze Award in Art Batik by Lori Radcliff-Woods 2025 Bronze Award in Art Batik by Lori Radcliff-Woods 2025 Gold Award in Hand Painted by Florin Bejinari 2024 Silver Award in Mixed/Other Media by Leslie Lisdell M.D. 2025 Gold Award in Intricately Cut by Zuzana Konigova 2025 Bronze Award in Pysanky Diaspora by Gabriela Krecht 2025 Bronze Award in Pysanky Diaspora by Heather Romanishin 2025 Gold Award in Carved by Anna Sell 2025 Silver Award in Pysanky Diaspora by Heather Romanishin 2025 Bronze Award in Carved by Tetiana Medianyk 2025 Silver Award in Pysanky Diaspora by Yuliya Goiloda 2025 Silver Award in Pysanky Diaspora by Yuliya Goiloda 2024 Gold Award in Artist's Choice, Artist's Name Private 2024 Gold Award in Carved by Rebekah Brown, USA 2024 Bronze Award in Artist's Choice by John Drlik-Mead 2024 Bronze Award in Carving by John Drlik-Mead 2024 Silver Award in Miniature by Leslie Lisdell M.D. 2024 Bronze Award in Diorama by Noreen Stewart 2024 Gold Award in Diorama -Name private 2024 Gold Award in Carved by John Drlik-Mead

Bronze Award < Back Zuzana Konigova October 9, 2023 Bronze Award CATEGORY: Intricately Cut PATHWAY: Accelerated TYPE OF EGGS: Ostrich and Goose Mother's love A mother Is she who can take the place of all others but whose place no one else can take. - Cardinal Mermillod- Ostrich egg protects the goose one like the mother protects her baby in her arms. The mother's hug can be a very strong medicine for a lot of childrens pains.... I am very grateful that i still have my mom WHO Is Always prepared to give me support hand, when i need it. Thank you mom... Both eggs Are sculpted with high-speed drill with carbide burs. For decoration Is used hot White wax, gold ribbon And Swarovski elements. Base Is made from the rest parts of ostrich egg. Previous Next

MAP judging criteria evaluates creativity,originality,composition,design,technique,craftsmanship,presentation,difficulty and overall impression using photo submission, in-person, or mail in judging. The score sheet is included on this page. Master Artisan Pathway- "MAP" Judging Criteria and Score Sheet Updated 3-23-2026 There are certain criteria that should be met with regard to each separate category which may not necessarily apply to all, and these are specified under each section. However, the following general points will be taken into consideration when judging. These have been based on looking at assessments of different artistic/creative disciplines and the MAP applicant should endeavor to acknowledge and build upon these as they progress through the Master Artisan Pathway. I. THE JUDGES All judges received redacted applications so to eliminate any potential bias. While acknowledging that not everyone will have a working knowledge of all techniques, we are determined that judging will be fair, and as a result, judging will be carried out by artists who are proficient in egg art themselves with experience in various fields within egg art. Where the judges recognize their own lack of expertise, they will call in an additional judge who is deemed to be an expert in that particular field. That judge would also be more capable of giving constructive criticism and encouragement to applicants. We are attempting to provide judges in different countries over time so that the responsibility is shared. II. CRITERIA A. Creativity and Originality -Judges are aware of the work of many different egg artists, so copies of the work of others would not be acceptable. (See the declaration required on the application form). Make sure to describe any unique ideas in the description area of the form. B. Composition and Design -The arrangement of visual elements in an artwork, putting together your skills and knowledge of materials to create a masterpiece. Understand the Principles and Elements of Design (Line, composition, space, movement, balance, emphasis, pattern, unity, color, contrast, rhythm, texture, value, form). Does the design flow through the entire piece? The entry should be capable of being viewed as a whole, not just as an egg with additions. Check that no one element can be seen as being out of place. Do the components used create a well-balanced design by using appropriately sized embellishments? C. Technique -Probably the most obvious points, however attention should be paid to the execution of any technique used, any application of additional materials, correct alignment of the various components used in the design. The judges will be able to spot poor cutwork, paint finish, glue seepage, areas missing dyes etc., so make sure that the very basic mistakes are not made. D. Craftmanship and Presentation - Show the judges that some effort has been put into the work, not that you have just used what you have immediately available. E. Difficulty -The degree of difficulty in art is assessed by evaluating technical mastery, complexity of composition, material handling, and the conceptual effort required for execution. High difficulty works often showcase refined skills, precise execution (e.g., brushwork, perspective), and successful management of challenging mediums. Key factors in assessing difficulty include: 1. Technical Mastery: Precision, skill in handling specific materials (e.g., watercolor, stone), and confidence in lines or strokes. 2. Complexity of Composition: The arrangement of elements, use of space, and integration of complex subjects. 3. Conceptual Depth: The originality of the idea and the persistence in developing it. 4. Execution and Risk: The successful execution of demanding techniques or high-risk techniques. F. Context/Description -Make sure to fill out the description on the form with as much information as possible. Describe unique ideas, methods used, any specific significance/symbolism of the entry. A thorough description will perhaps help you score higher in the creativity/originality section. III. SCORING The scoring system is based on a 100-point scale. The judge scores each category on a scale of 1-5. This is called the Raw Score. Each raw category score is than converted, based on the percent weighting, to a weighted score. You can read the Judge's Score Sheet below in order to see how much weighting is given to each category. We attempt to have at least 2-3 judges score the entries. The weighted scores from all judges are added together and divided by the number of judges to get the artists final score which will determine the level (bronze, silver or gold) awarded. POINTS NEEDED FOR AWARDS Bronze Level Award requires a score of 70 points. Silver Level Award requires a score of 80 points. Gold level Award requires a score of 90 points. IV. SCORING SHEETS JUDGES SCORING SHEET- GENERAL IS USED FOR THE FOLLOWING CATEGORIES: ACID ETCHING, APPLIED WAX, ARTIST'S CHOICE (INCLUDES FABERGE INSPIRED), BEADED/JEWELED, CARVED, DECOUPAGE, DIORAMA, HAND PAINTED/ DRAWN, INTRICATELY CUT, MECHANICAL, MINIATURE, MIXED/OTHER MEDIA, NOVELTY, PAPER SCULPTURE, SCRATCH CARVING ENGLISH.pdf ESPAÑOL.pdf FRANÇAIS.pdf DEUTSCH.pdf MAGYAR.pdf ROMÂNĂ.pdf POLSKI.pdf SLOVENČINA.pdf УКРАЇНСЬКА.pdf JUDGES SCORING SHEET- PYSANKY DIASPORA ENGLISH.pdf ESPAÑOL.pdf FRANÇAIS.pdf DEUTSCH.pdf MAGYAR.pdf POLSKI.pdf ROMÂNĂ.pdf УКРАЇНСЬКА.pdf SLOVENČINA.pdf ESPAÑOL.pdf FRANÇAIS.pdf DEUTSCH.pdf MAGYAR.pdf POLSKI.pdf ROMÂNĂ.pdf УКРАЇНСЬКА.pdf SLOVENČINA.pdf ENGLISH.pdf JUDGES SCORING SHEET- ART BATIK

Gold Award < Back Anna Sell, Poland February 27, 2025 Gold Award CATEGORY: Carved PATHWAY: NA TYPE OF EGGS: Goose I carve small patterns according to my own idea. I try to keep symmetry according to the rules of geometry. Sometimes I add Swarovski crystals and tips to cover the holes at the top and bottom of the egg. Previous Next

< Back Florin Bejinari EAI Representative for Romania Florin and Maricica Bejinari – Art and faith that give life to icons and painted eggs From Rădăuți, the heart of Bucovina where tradition intertwines with the soul of the people, Florin Bejinari and his wife, Maricica, have transformed painting into a true-life mission. For over two decades, the two have been creating together, with painstaking and patience, works that carry within them not only the beauty of art, but also the faith, emotion and story of the place they come from. Florin Bejinari, born on January 21, 1961, in Rădăuți, is an icon painter, but his talent is not limited to icons. Over time, he has also explored painting on goose and ostrich eggs, naive painting, portraits and decorative compositions with the same passion. “I paint almost anything,” says the artist, but each work has a common thread: the desire to convey emotion and bring beauty into people’s lives. His technique combines Byzantine tradition with elements of personal innovation. In addition to icons on wood, he managed to extend Byzantine painting onto the fragile eggshell, creating true artistic jewels. Many of his works are adorned with gold leaf, which gives them a special light and a delicacy that captivates the eye. In his hands, a simple egg turns into a window to the sacred and to the Bucovina tradition of painting. Over the years, Florin and Maricica have taken this art to international stages. Their exhibitions have been hosted in Paris (2002), Venice (2007), Augsburg (2009, at the invitation of the Suceava County Council), the European Parliament in Brussels (2010), but also in numerous fairs and exhibitions in Germany, the Czech Republic, Belgium, Portugal and Italy. Their work was rewarded with important awards, including the Grand Prix at the Annual Salon of Amateur Plastic Artists in Suceava (2016) and the Third Prize at SIAN, Bucharest (2017). But beyond diplomas and trophies, their greatest joy is meeting people. At the folk crafts fairs in the country, Florin and Maricica are always close to the public, telling stories, sharing the secrets of the craft and creating friendships with other artists. “Every egg, every icon, every portrait has a soul. When I paint, I don’t just make an object, I give life to a story,” the artist confesses. Through their works, the Bejinaris have managed to carry forward the tradition of their native place and make it known throughout the world. They don’t just keep an art alive, but reinvent it, putting a dash of faith and a dash of the beauty of Bucovina into each creation.

< Back Konomi Kashiwaya EAI Representative for Japan, MAP Judge Because of my 40 years of bread dough flower making, I especially love to make dioramas out of bread dough, creating plants, animals, and fairies. I also love beads, thread, decoupage, painting and cutting. I participated in egg shows in the US every year for 20 years. I have also exhibited eggs in Paris, Australia and Russia. I have been participating in the Japanese Egg Art Guild since the first year it was established, and it has been a little over 20 years now. I exhibit with my students at the Japan Egg Art Guild Show every year. I also have private exhibitions several times a year. I recently published a book about my egg art works.